virginie gautreau

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Madame Gautreau became well-known, not only for her grace and beauty, but also for her unique approach to cosmetic application. (age 56). Gautreau was born Virginie Amélie Avegno in New Orleans, Louisiana, on 29 January 1859, the daughter of Anatole Placide Avegno (3 July 1835 – 7 April 1862) and Marie Virginie de Ternant of Parlange Plantation, a descendant of French nobility. Virginie, who was responsible for Parlange's reputation for elegance by her addition of rich, beautiful furnishings and portraits, is described as "the chief personality for Parlange Plantation's greatness".[2]. She was described as being a "professional beauty", an English term for people who used their social skills and appearance to advance socially. New Haven: Yale University Press, 1997. With her mother intent on securing her material wealth and social standing, Virginie married a wealthy banker named Pierre Gautreau and entered the circles of the Parisian elite. It is a study in opposition. Although given the title Madame *** at the Paris Salon of 1884, contemporary viewers would have easily identified the woman in John Singer Sargent’s portrait. )Location: The Metropolitan Museum of Art, New York, NYCredit: Courtesy of the Metropolitan Museum of Art, Arthur Hoppock Hearn Fund/Photo by Max Yawney. She is most widely known as the subject of John Singer Sargent"s painting Portrait of (1884). Antonio de Louisiana Gándara painted a full-length portrait of her, entitled Madame Gautreau (1898). Simpson, Marc, Richard Ormond, and H. Barbara Weinberg. She had a sister, Valentine Marie, who died as a young child of yellow fever. You could make an argument for her as a kind of artist who was in certain ways competing with Sargent for control over both the color and shape of her body.”. He was very disturbed by this. (109 cm. Virginie Amélie Avegno Gautreau, better known as "Madame X", was the granddaughter of Virginie. Classroom Resources >

After Virginie's death on November 7, 1887, the plantation house remained empty for 20 years until her grandson Walter Parlange returned to take up the life of a plantation farmer. Seattle: Seattle Art Museum, 2000. When the American Civil War broke out in April 1861, Virginie, who was widowed for a second time and living in Paris, returned to Louisiana. In tonality of colors, privacy of her face, and style of her dress, it was more conservative than Sargent"s painting. She occasionally posed as a model for notable artists. While the title omitted the sitter’s name, the public immediately recognized her as the notorious Parisian beauty Virginie Gautreau. Reactions to this hint at the “undressed” body suggest even deeper anxieties about women like “Madame X,” who are beautiful and sensual, but at the same time self-possessed and unavailable. As the Union Army led by General Nathaniel Banks was approaching Parlange, Virginie, by that time a widow and the manager of the plantation, ordered her slaves to bury three chests of treasure estimated at between one third and a half million dollars in gold and silver coins. Ormond, Richard, Elaine Kilmurray, and Warren Adelson. She was the second wife of Claude Vincent de Ternant, 3rd Marquis of Dansville-sur-Meuse, whose grandfather, the first Marquis, had built the plantation house in 1750 on the property obtained by a French land grant. Virginie Avegno was an American who came to Paris with her mother after her father was killed in the Civil War. She is most widely known as the subject of John Singer Sargent"s painting Portrait of (1884). At the age of 15, she married her second cousin and guardian, Claude Vincent de Ternant, 3rd Marquis of Dansville-sur-Meuse. And he realized that the blue was off. She was buried in the Gautreau family crypt at their Chateau des Chênes in Saint-Malo, Brittany. Gautreau is also the subject of I Am: A Novel (2004) by Gioia Diliberto. Henri Gautreau, 1880 - 1960 Henri Gautreau 1880 1960. Gautreau"s and Sargent"s intertwined stories are the subject of Strapless (2004) by Deborah Davis.Gautreau is also the subject of I Am: A Novel (2004) by Gioia Diliberto. She had three surviving children from this marriage. lieutenant created a social scandal when shown at the Paris Salon.She had a sister, Valentine Marie, who died as a young child of yellow fever.Her father Anatole Avegno served as a major in the Confederate States Army during the American Civil War. Julie Eriphile de Ternant (born 1837, died as a young woman), The Preservation Channel, Louisiana Folklore: The Treasure That is Parlange, This page was last edited on 1 October 2020, at 01:35. Such a high-class woman would not usually be a model.The scandal caused Gautreau to retire from society for some time. So in the full light of day, the blue looked very strange. New Orleans, Louisiana, United States of America. Madame X was painted not as a commission, but at the request of Sargent.

Prabook is a registered trademark of World Biographical Encyclopedia, Inc. Virginie Amélie Avegno Gautreau was born in New Orleans but grew up from the age of eight in France, where she became a Parisian socialite known for her beauty. Marie Virginie Trahan was born on August 16, 1818 in St Martinville, Louisiana, the daughter of Leufroy Joseph Trahan (1797-?) It looks terrible.
The Union Army used her home for their headquarters; and it was through Virginie's tact and charm, which impressed General Banks and his men, that her home was spared destruction. Virginie lavished great care on the decoration of the home, adding opulent furnishings, and many family portraits; through her efforts, Parlange Plantation acquired renown throughout Louisiana for beauty and elegance. The girl was educated in Paris and introduced to high French society. It was alleged that she was running away from home to escape the planned marriage that her parents had arranged for her. She posed for paintings by several noted 19th-century painters, including Gustave Courtois and Antonio de Louisiana Gándara.Most famously, she was the model for John Singer Sargent"s Portrait of The painting created a cultural scandal when it was exhibited in 1884 at the Paris Salon.The suggestiveness of the portrait and the style of clothing were considered scandalous, as well as publicizing Gautreau"s reputation.

Virginie Avegno was an American who came to Paris with her mother after her father was killed in the Civil War. A fallen dress strap in the original painting was so distasteful to Salon-goers, for instance, that Sargent was forced to repaint it. Following her husband's death in 1842, she married a Frenchman, Charles Parlange, who served as a colonel in the French Army. And this was her fame, but it was also the source of derision because many people made fun of her, but yet she was extraordinary. As of 2014, her direct descendants continue to live at Parlange Plantation. and Julie Ardoin (April 12, 1795 – April 8, 1827) who were both white French Créoles. By him she had one son, Charles Parlange. Marriages and children. Her dress—as you can see from this painting—it’s a very nipped waist, and a very emphatic torso, a bust, and a skirt that’s shaped along with her body. Virginie Gautreau (the subject in the painting) was the wife of a wealthy businessman named Pierre Gautreau. Through Marie Virginie, her eldest daughter, she was the grandmother of the celebrated Parisian socialite, Virginie Amélie Avegno Gautreau, who was the subject of John Singer Sargent's painting "Portrait of Madame X".
It was through her strong personality, diplomacy and charm that she saved the house from destruction throughout its occupation by both the Union and Confederate armies during the American Civil War. When she would enter a room everybody would watch her. In 1864, after she had received word that the Union Army was approaching, she hid her furniture, portraits, priceless silver, china, jewelry and clothing. And she styled herself as a kind of living art object. and Julie Ardoin (April 12, 1795 – April 8, 1827) who were both white French Créoles. Ratcliff, C. John Singer Sargent. 2000 Avenue of the Stars, Suite 1000S, Los Angeles, CA 90067 © 2020 Annenberg Foundation. She posed for paintings by several noted 19th-century painters, including Gustave Courtois and Antonio de Louisiana Gándara. She occasionally posed as a model for notable artists. He died in 1862 in the Battle of Shiloh. Virginie and her second husband spent much of their married life in New Orleans and Paris. She was buried in the Gautreau family crypt at their Chateau des Chênes in Saint-Malo, Brittany. She’s emulating an ideal of pallor and of a blue tint that can be seen through the skin—a kind a kind of waxen color or alabaster.

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