when a woman ascends the stairs reddit

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I have written about two of them here at this blog. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Otsuta is running the geisha house Tsuta in Tokyo. When a reporter comes to interview her, the two begin an affair. Though not overtly feminist and, indeed, romantic in its approach to feminine virtue, it's not shy about stressing the injustice which she faces. Title: This visual eloquence cleverly underscores the film's more brutal exploration of Keiko's plight. This is an interesting film, largely because it takes place at a time of great upheaval in modern culture, and yet retains enough of a sense of the classic world to make … Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. It's a job, and her options as a woman are limited in the Japanese male-dominated society. PastaQueen. Hey thanks for reading! Geishas do appear briefly in the movie, but Keiko is actually a bar hostess. Mizoguchi’s historical epic is among the greatest of all Japanese films, and a masterpiece of humanist cinema. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her family, customers and friends. All of the Films Joining Filmstruck’s Criterion Channel This April, Rushes. Naruse is recognized for his work in women’s pictures, and artfully tackles themes of “social injustice, material hardship and emotional turbulence” cognizant to the diurnal experiences of women in modern … Drama 2019 67 mins Director: Akin Omotoso. I normally think about and talk about The Human Condition as being one big movie, but if that's not allowed, I'd pick the first one. Geishas still wear the traditional costume, whereas the bar hostesses are dressed in western fashion. I certainly hope SotB is forthcoming. Her family hounds her for money, her customers for her attention, and she is continually in debt. To marry - even a man who loved her - would be, in its way, another form of prostitution, giving up what freedom she has in exchange for financial security. Mikio Naruse’s masterpiece about a wandering woman trying to find her identity amid the devastation of post-war Japan. The sentiment — however one puts it — is undoubtedly felt in this film. To open her own bar would mean being trapped in the hostess world forever, condemned to repeat the actions which she despises ever more. Romance 1953 97 mins Director: Kenji Mizoguchi. Her business is failing and she must decide whether to raise the money to buy her own bar or marry one of her admiring affluent patrons. You are currently reading The Last Days of FilmStruck: When a Woman Ascends the Stairs (1960) at CREDO UT INTELLIGAM. This would rule out Mishima for example, as despite it being in Japanese and starring Japanese actors it was produced by US companies. Starring: Hideko Takamine, Masayuki Mori, Reiko Dan, Tatsuya Nakadai, Daisuke Katô, Ganjiro Nakamura, Eitarô Ozawa, Keiko Awaji. Kin has saved her money, and has become a wealthy money-lender, spending her days cold-heartedly collecting ... See full summary ». The widowed Keiko (Hideko Tanake) manages a hostess bar in Tokyo’s Ginza district. When A Woman Ascends The Stairs is a Japanese film about a bar hostess in Tokyo’s luxurious Ginza district who encounters a variety of social challenges as she meets with her family, her friends, and a wide range of customers. © 2020 British Film Institute. Japan has arguably some of the greatest animated films ever released, never be afraid to promote them if you think they are great. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. But what of the “stairs” mentioned in the title of the film? This is the story of Mama, a.k.a. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), The Last Days of FilmStruck: Tokyo Story (1953), The Last Days of FilmStruck: Sisters of the Gion (1936). A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret. I saw In Vandas Room yesterday and it was truly unlike anything I've experienced, if you got anymore recs feel free to leave me any and thanks for everything, The Criterion Collection is a continuing series of important classic and contemporary films on home video. What are they pointing us toward? When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour - a delicate, devastating study of Keiko (the heartbreaking Takamine Hideko), a bar hostess in Tokyo's very modern postwar Ginza district, who entertains businessmen after work. She must decide whether to marry - if a suitable opportunity presents itself - or whether to launch her own bar. Keiko (Hideko Takamine) — or “Mama” as she is known to her patrons and coworkers — is a hostess in a Ginza nightclub. Derin finds herself estranged from all those she loves in this compelling arthouse drama, focusing on postpartum depression. You must be a registered user to use the IMDb rating plugin. A middle aged hostess struggles to preserve her virtue as she faces financial difficulty and a critical life decision. Though the formalities of polite behaviour limit her means of expression, her subtle glances and gestures enable the viewer to feel continually connected to her, drawn into her private world. Eventually she falls in love with him in return. Cheers! I watched this today.I thought Takamine was amazing, and am impressed that a male director and a male writer made such a nuanced film about a woman. Woman in the Dunes. The story feels fresh yet familiar all at the same time. As would be expected, these goals are difficult to accomplish for a woman in her situation.Director Naruse returns in this film to his favorite theme--working-class women who must choose among options that aren't very palatable. Now she has reached a turning point in her life. Onna ga kaidan wo agaru toki (1960), directed by Mikio Naruse, was shown in the United States under the title "When a Woman Ascends the Stairs." Happy voting and look out for the results post which should (work and college depending) be up some time on Monday afternoon. Fri 29 Jun 2007 18.54 EDT. Documentary 2020 75 mins Director: Tamara Mariam Dawit. By using our Services or clicking I agree, you agree to our use of cookies. Tamara Dewitt pieces together the mystery of her aunt's disappearance, and her involvement with the Ethiopian Communist party, in this gripping documentary. In the War's closing days, when a conscience-driven Japanese soldier fails to get his countrymen to surrender to overwhelming force, he adopts the lifestyle of a Buddhist monk. Akira Kurosawa’s visually spectacular epic transplants Shakespeare’s King Lear from Celtic Britain to feudal Japan. Ugetsu. Also, the pace of the film Naruse kept was so balanced, so controlled. Written by The life of a bar hostess is examined as well as the way in which the system traps and sometimes kills those in it. This is a truly universal film; it's a grim one, and at times difficult to watch, but it's a highly accomplished piece of cinema which should not be missed. Choose an adventure below and discover your next favorite movie or TV show. When a woman ascends the stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's very modern postwar Ginza district, who entertains businessmen after work. The last 10 minutes or so just killed me. Neon Genesis Evangelion: The End of Evangelion. Week one's results (which can be found here: https://www.reddit.com/r/criterion/comments/j5plep/rcriterions_map_of_world_cinema_week_1_results/) are up and it was a really great reaction from everyone about the project! Throw Away Your Books, Rally In The Streets, Bound For The Fields, The Mountains, and The Seacoast. (1960). I just had to. Happiness is only ever temporary and, even then, is difficult for her to find without compromising herself. Mikio Naruse’s best-known film is a masterful study of Ginza hostess struggling under constant pressures to compromise her honour. Use the HTML below. You do not understand how happy it makes me to see The Wind Rises and Only Yesterday get the love they deserve. PG Certificate ADVERTISEMENT. Directed by Mikio Naruse. ( Log Out /  Director: Mikio Naruse. Chat with us here: https://discord.gg/ZSbP4ZC, Press J to jump to the feed. Nausicaä of the Valley of the Wind (1984). Super interested to see the results of this. The first film made by Akira Kurosawa's own production company is a dark tale of greed, corporate corruption and revenge. If you are unsure if a film will qualify please say so in your comment and I will happily respond on whether I would be counting it. Her living depends on smiling, laughing, flattering, and generally making sure everyone has a good time, but at the end of it all she has very little energy left for herself. Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband. In fact, Keiko has been celibate since the death of her husband. She was widowed when her husband was hit by a truck, and the tension of the story revolves around her restlessness as a …

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